Through the observation from cultural codes and eastern costumes, traditional paper-cut art and totem, in the Chinese society, reveal mainstream consciousness toward love, sex and felicities for “reproduction” and “normal pattern” in miniature. With the passage of time, expected role played by women should be loyal and humble.
"The shells of moral pattern" suppress female desire, bodies and soul so they don’t have self-oriented cogitation but serve others as anchor point to move. In hence, facing external changes, they are defenseless within empty shells in the patriarchal environment.
Nowadays, love and sexual connection cannot be limited by “moral pattern” or “legal framework”. Instead of ignoring the phenomenon and humanities under the surface of shell, we should face the gap between “moral surface” and “underlying reality” with open discussion.
Through the observation from cultural codes and eastern costumes, traditional paper-cut art and totem, in the Chinese society, reveal mainstream consciousness toward love, sex and felicities for “reproduction” and “normal pattern” in miniature. With the passage of time, expected role played by women should be loyal and humble.
"The shells of moral pattern" suppress female desire, bodies and soul so they don’t have self-oriented cogitation but serve others as anchor point to move. In hence, facing external changes, they are defenseless within empty shells in the patriarchal environment.
Nowadays, love and sexual connection cannot be limited by “moral pattern” or “legal framework”. Instead of ignoring the phenomenon and humanities under the surface of shell, we should face the gap between “moral surface” and “underlying reality” with open discussion.
TAMARA HERNANDEZ PRODUCTIONS & PRODUCTIVE PLAYHOUSE ｜ HAPPILY NEVER AFTER
The Short Film "Happily Never After" is the pilot of TV series written and directed by writer and filmmaker Tamara Hernandez. The tragicomedy depicts a lonely and self-destructive self-help book writer starts hearing her electronic devices talk to her, she has to decide whether or not to trust them to help her fix her life.
Below are some motion graphics and stills from the film and title sequence.
RESPONSIBLE FOR
Title and Credit sequences
for
HAPPILY NEVER AFTER
THE MAKING-OF
Below contains:
some cut-out motion graphics assets for title sequence.
sketch notes from brainstorming with Director remotely.
